11/26/2023 0 Comments Blues shredding![]() But the distortion has an extra switch that goes between crunch, mild, and soaring lead tones. ![]() The fuzz and overdrives have a gain, volume, and filter (high-pass, low-pass, or none). What you can do is to switch between two different presets, selected via dip switches inside the pedal.įor example, one preset could be the fuzz and overdrive, while the second preset could be all three. ![]() Now, there are three individual pedals combined here but there are two footswitches. The idea of this pedal is to blend distortion, fuzz, and overdrive pedals together, just like the old studio trick of blending amps together. The effects are wired in parallel so you aren’t going to get the same kind of tones as you would from stacking distortion/overdrive pedals together. But, it is unique in the way they are combined. This stompbox doesn’t just include a distortion pedal – you also get fuzz and overdrive. The Empress Effects Multidrive is the best distortion pedal for flexibility that is designed to deliver amp-like guitar tones. And you can switch between each gain stage via a footswitch. This version offers independent high & low tone controls for the entire pedal, as well as independent level controls for each gain stage. There’s also a dual footswitchable version of the Pugilist available. And the construction is extremely sturdy. Quite the time saver, particularly in the studio or on stage.Īll of the rotary controls are backlit with LEDs so you can easily see your controls while on stage. There’s a magnetic flip-down compartment so you can swap out the battery without needing a screwdriver. You can power it with a 9V battery or a regular 9V pedal power supply. ![]() And it works great with a clean amp or an amp that is already distorted. There’s also a bass boost switch which works nice with single coils like strats or teles. You can choose to run those gain stages in series for higher-gain tones, or blend them together via a special blend control. It is versatile too! Inside, we’ve got two gain stages with independent tone & volume controls. Especially considering its feature set, price-point, build quality, and tone. In fact, it is one of the best distortion pedals on the market today (in my opinion). The Fender Pugilist is my favorite distortion pedal from Fender’s new range of beautifully designed pedals. I didn’t purchase this pedal with the custom mode in mind but after playing this pedal a lot, I’m glad Boss included this extra mode. There’s more punch, gain, and aggression. More of what exactly? More of everything.įrom the custom mode, you’ll still get a fairly similar tone to the standard mode, but everything is dialled up. The new version has a toggle switch that gives you the classic HM-2 tone or a custom mode which just adds “more”. The good news is that Boss re-issued the pedal! And as they usually do with their Japanese-made Waza Craft pedals, they expanded its functionality slightly. The only issue? Boss discontinued the original pedal in 1991 and pre-owned models (particularly the Japanese manufactured versions) sell for an unusually high price tag. And, some of those notable guitarists that have used it over the years include the likes of David Filmour, Johnny Marr, and Eric Clapton. It sounds surprisingly good at lower gain settings. And one of the reasons I bought one.īut, it’s far more usable than that. Sure, it does the high gain thing incredibly well and that’s one of the reasons it’s so popular. While the “HM” stands for “Heavy Metal”, it’s not just a high gain pedal for Swedish death metal bands. And that’s not surprising considering it was initially released in the early 1980s. I’d go as far as to say that it’s become somewhat of an industry standard. The Boss HM-2 has been the go-to distortion pedal for a huge number of notable guitarists over the years.
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